Summarize the points made in the lecture you just heard, explaining how they oppose specific points made in the reading.
American literature of the early 20th century saw the rise of a number of influential authors writing in a new style. Ernest Hemingway, F. Scott Fitzgerald, E.E. Cummings, and Ezra Pound, among many others, left an undeniably deep impact on how we write, even today. The author and poet Gertrude Stein is sometimes included in such lists, but her work is notably less influential than that of her contemporaries. For a number of reasons, critics have often pinned her work as an eccentricity worthy of little more than a historical footnote.
For one, Stein’s works tend to be inaccessible to the reader, primarily because she did not clearly communicate thoughts and emotions in much of her writing. Literary critic Edmund Wilson asserted that Stein’s shortcoming was that she took many of the concepts that underlay Cubism, a style of painting that emphasized visual representation without clear emotion or meaning, and attempted to apply them to language. This resulted in work that relied heavily on the sounds of the words used, rather than on the meanings they held.
Moreover, Stein’s work rarely included conventional punctuation. Her sentences blend together into long, unbroken chains, without commas or periods to signal where one idea ends and another begins. In avoiding punctuation so often, Stein made her prose and poetry unnecessarily difficult to decipher. Few authors have avoided punctuation in the same way because it simply distracts from the writer’s message and adds little value, if any.
Certainly, it is easy to be deceived as to Stein’s literary influence by the historical importance of Stein’s salon—regular gatherings in her home frequented by a number of renowned artists. However, in studies of American literature, the work produced by a figure is far more valuable than are their social connections. Although Stein was close with several major authors and artists of the time, that fact alone does not give her real historical significance.
The professor giving the lecture on Stein disagrees wholeheartedly with the views presented in the text that her class had read. There are a few key points that she calls specifically into question: how well Stein communicated, the refusal to use punctuation, and the importance of Stein’s social connections.
In the first of those three points, the professor presents an argument that contrasts starkly with the text. Whereas the reading says that Stein’s use of cubist aesthetics created inaccessible work—prose that did not communicate to the reader—the professor brings up the possibility of Stein’s impact on later poets. She argues that since Stein’s day, poetry has shifted to rely more heavily on the sounds of words used, rather than their meaning, and that Stein was likely a significant influence on that change.
Furthermore, according to the professor, Stein’s decision to omit punctuation from her work was not merely a way to make her writing more difficult to follow. Instead, Stein elaborates in her own essay on the topic on why she viewed punctuation as unnecessary. The professor is of the opinion that Stein’s view is both valid and unique, one that we should contemplate carefully.
And finally, in her lecture, the professor points out that Stein’s influence on the writers and artists she kept as friends is not to be understated as merely a social connection. Although the text claims that Stein’s “salon” was only of historical significance, rather than literary importance, the speaker says that Stein directly affected the writing style of Hemingway. That provides clear evidence of Stein’s importance in the development of literature at the time.
| Post date | Users | Rates | Link to Content |
|---|---|---|---|
| 2018-10-02 | ankitapatel | 3 | view |
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Transition Words or Phrases used:
finally, first, furthermore, if, so, well, whereas
Attributes: Values AverageValues Percentages(Values/AverageValues)% => Comments
Performance on Part of Speech:
To be verbs : 8.0 10.4613686534 76% => OK
Auxiliary verbs: 1.0 5.04856512141 20% => OK
Conjunction : 5.0 7.30242825607 68% => OK
Relative clauses : 14.0 12.0772626932 116% => OK
Pronoun: 26.0 22.412803532 116% => OK
Preposition: 38.0 30.3222958057 125% => OK
Nominalization: 14.0 5.01324503311 279% => Less nominalizations (nouns with a suffix like: tion ment ence ance) wanted.
Performance on vocabulary words:
No of characters: 1470.0 1373.03311258 107% => OK
No of words: 269.0 270.72406181 99% => OK
Chars per words: 5.46468401487 5.08290768461 108% => OK
Fourth root words length: 4.0498419064 4.04702891845 100% => OK
Word Length SD: 3.24945341548 2.5805825403 126% => OK
Unique words: 155.0 145.348785872 107% => OK
Unique words percentage: 0.576208178439 0.540411800872 107% => OK
syllable_count: 439.2 419.366225166 105% => OK
avg_syllables_per_word: 1.6 1.55342163355 103% => OK
A sentence (or a clause, phrase) starts by:
Pronoun: 2.0 3.25607064018 61% => OK
Article: 6.0 8.23620309051 73% => OK
Subordination: 1.0 1.25165562914 80% => OK
Conjunction: 3.0 1.51434878587 198% => OK
Preposition: 3.0 2.5761589404 116% => OK
Performance on sentences:
How many sentences: 11.0 13.0662251656 84% => Need more sentences. Double check the format of sentences, make sure there is a space between two sentences, or have enough periods. And also check the lengths of sentences, maybe they are too long.
Sentence length: 24.0 21.2450331126 113% => OK
Sentence length SD: 43.6085138401 49.2860985944 88% => OK
Chars per sentence: 133.636363636 110.228320801 121% => OK
Words per sentence: 24.4545454545 21.698381199 113% => OK
Discourse Markers: 4.54545454545 7.06452816374 64% => OK
Paragraphs: 4.0 4.09492273731 98% => OK
Language errors: 0.0 4.19205298013 0% => OK
Sentences with positive sentiment : 7.0 4.33554083885 161% => OK
Sentences with negative sentiment : 3.0 4.45695364238 67% => OK
Sentences with neutral sentiment: 1.0 4.27373068433 23% => More facts, knowledge or examples wanted.
What are sentences with positive/Negative/neutral sentiment?
Coherence and Cohesion:
Essay topic to essay body coherence: 0.0468280551996 0.272083759551 17% => The similarity between the topic and the content is low.
Sentence topic coherence: 0.0219148093647 0.0996497079465 22% => Sentence topic similarity is low.
Sentence topic coherence SD: 0.02511129992 0.0662205650399 38% => Sentences are similar to each other.
Paragraph topic coherence: 0.0365389560437 0.162205337803 23% => Maybe some paragraphs are off the topic.
Paragraph topic coherence SD: 0.0316816584861 0.0443174109184 71% => OK
Essay readability:
automated_readability_index: 16.5 13.3589403974 124% => OK
flesch_reading_ease: 47.12 53.8541721854 87% => OK
smog_index: 8.8 5.55761589404 158% => OK
flesch_kincaid_grade: 12.7 11.0289183223 115% => OK
coleman_liau_index: 14.68 12.2367328918 120% => OK
dale_chall_readability_score: 9.41 8.42419426049 112% => OK
difficult_words: 78.0 63.6247240618 123% => OK
linsear_write_formula: 14.0 10.7273730684 131% => OK
gunning_fog: 11.6 10.498013245 110% => OK
text_standard: 9.0 11.2008830022 80% => OK
What are above readability scores?
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It is not exactly right on the topic in the view of e-grader. Maybe there is a wrong essay topic.
Rates: 3.33333333333 out of 100
Scores by essay e-grader: 1.0 Out of 30
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Note: the e-grader does NOT examine the meaning of words and ideas. VIP users will receive further evaluations by advanced module of e-grader and human graders.