"Tradition and modernization are incompatible. One must choose between them."
Must we choose between tradition and modernization, as the speaker contends.; I agree that in certain cases the two are mutually exclusive. For the most part, however, modernization does not reject tradition; in fact, in many cases the former can and does embrace the latter.
In the first place, oftentimes so-called "modernization" is actually an extension or new iteration of tradition, or a variation on it. This is especially true in language and in law. The modern English language, in spite of its many words that are unique to modern Western
culture, is derived from, and builds upon, a variety of linguistic traditions--and ultimately from
the ancient Greek and Latin languages. Were we to insist on rejecting traditional in favor of
purely modern language, we would have essentially nothing to say. Perhaps an even more
striking marriage of modernization and tradition is our system of laws in the U.S., which is
deeply rooted in English common-law principles of equity and justice. Our system requires that
new, so-called "modern" laws be consistent with, and in fact build upon, those principles.
In other areas modernization departs from tradition in some respects, while embracing it in
others. In the visual arts, for example, "modern" designs, forms, and elements are based on
certain timeless aesthetic ideals--such as symmetry, balance, and harmony. Modern art that
violates these principles might hold ephemeral appeal due to its novelty and brashness, but its
appeal lacks staying power. An even better example from the arts is modern rock-and-roll
music, which upon first listening might seem to bear no resemblance to classical music
traditions. Yet, both genres rely on the same twelve-note scale, the same notions of what
harmonies are pleasing to the ear, the same forms, the same rhythmic meters, and even many
of the same melodies.
I concede that, in certain instances, tradition must yield entirely to the utilitarian needs of
modern life. This is true especially when it comes to architectural traditions and the value of
historic and archeological artifacts. A building of great historic value might be located in the
only place available to a hospital desperately needing additional parking area. An old school
that is a prime example of a certain architectural style might be so structurally unsafe that the
only practicable way to remedy the problem would be to raze the building to make way for a
modern, structurally sound one. And when it comes to bridges whose structural integrity is
paramount to public safety, modernization often requires no less than replacement of the
bridge altogether. However, in other such cases architecturally appropriate retrofits can solve
structural problems without sacrificing history and tradition, and alternative locations for new
buildings and bridges can be found in order to preserve tradition associated with our historic
structures. Thus, even in architecture, tradition and modernization are not necessarily mutually
exclusive options.
To sum up, in no area of human endeavor need modernization supplant, reject, or otherwise
exclude tradition. In fact, in our modern structures, architecture and other art, and especially
languages and law, tradition is embraced, not shunned.
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Grammar and spelling errors:
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... words that are unique to modern Western culture, is derived from, and builds upo...
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...nguistic traditions--and ultimately from the ancient Greek and Latin languages. W...
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...ist on rejecting traditional in favor of purely modern language, we would have es...
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...lly nothing to say. Perhaps an even more striking marriage of modernization and t...
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...our system of laws in the U.S., which is deeply rooted in English common-law prin...
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...ty and justice. Our system requires that new, so-called 'modern' laws b...
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...ild upon, those principles. In other areas modernization departs from tradition in...
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... in some respects, while embracing it in others. In the visual arts, for example,...
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...esigns, forms, and elements are based on certain timeless aesthetic ideals--such ...
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...y, balance, and harmony. Modern art that violates these principles might hold eph...
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...ue to its novelty and brashness, but its appeal lacks staying power. An even bett...
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...le from the arts is modern rock-and-roll music, which upon first listening might ...
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...o bear no resemblance to classical music traditions. Yet, both genres rely on the...
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...lve-note scale, the same notions of what harmonies are pleasing to the ear, the s...
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...e, the same notions of what harmonies are pleasing to the ear, the same forms, the same rh...
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... the same rhythmic meters, and even many of the same melodies. I concede that,...
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...eld entirely to the utilitarian needs of modern life. This is true especially whe...
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...rchitectural traditions and the value of historic and archeological artifacts. A ...
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...t historic value might be located in the only place available to a hospital despe...
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...g additional parking area. An old school that is a prime example of a certain arc...
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...might be so structurally unsafe that the only practicable way to remedy the probl...
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...e to raze the building to make way for a modern, structurally sound one. And when...
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...to bridges whose structural integrity is paramount to public safety, modernizatio...
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...requires no less than replacement of the bridge altogether. However, in other suc...
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...cturally appropriate retrofits can solve structural problems without sacrificing ...
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...ition, and alternative locations for new buildings and bridges can be found in or...
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...e tradition associated with our historic structures. Thus, even in architecture, ...
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...dernization are not necessarily mutually exclusive options. To sum up, in no a...
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...rnization supplant, reject, or otherwise exclude tradition. In fact, in our moder...
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...chitecture and other art, and especially languages and law, tradition is embraced...
^^^
Transition Words or Phrases used:
actually, but, first, however, if, so, thus, while, for example, in fact, such as, in many cases, in spite of, to sum up, in the first place
Attributes: Values AverageValues Percentages(Values/AverageValues)% => Comments
Performance on Part of Speech:
To be verbs : 21.0 19.5258426966 108% => OK
Auxiliary verbs: 12.0 12.4196629213 97% => OK
Conjunction : 28.0 14.8657303371 188% => OK
Relative clauses : 12.0 11.3162921348 106% => OK
Pronoun: 27.0 33.0505617978 82% => OK
Preposition: 70.0 58.6224719101 119% => OK
Nominalization: 22.0 12.9106741573 170% => OK
Performance on vocabulary words:
No of characters: 2840.0 2235.4752809 127% => OK
No of words: 510.0 442.535393258 115% => OK
Chars per words: 5.56862745098 5.05705443957 110% => OK
Fourth root words length: 4.75217629947 4.55969084622 104% => OK
Word Length SD: 3.27253903357 2.79657885939 117% => OK
Unique words: 282.0 215.323595506 131% => OK
Unique words percentage: 0.552941176471 0.4932671777 112% => OK
syllable_count: 879.3 704.065955056 125% => OK
avg_syllables_per_word: 1.7 1.59117977528 107% => OK
A sentence (or a clause, phrase) starts by:
Pronoun: 8.0 6.24550561798 128% => OK
Article: 9.0 4.99550561798 180% => OK
Subordination: 2.0 3.10617977528 64% => OK
Conjunction: 11.0 1.77640449438 619% => Less conjunction wanted as sentence beginning.
Preposition: 13.0 4.38483146067 296% => Less preposition wanted as sentence beginnings.
Performance on sentences:
How many sentences: 22.0 20.2370786517 109% => OK
Sentence length: 23.0 23.0359550562 100% => OK
Sentence length SD: 51.5803954045 60.3974514979 85% => OK
Chars per sentence: 129.090909091 118.986275619 108% => OK
Words per sentence: 23.1818181818 23.4991977007 99% => OK
Discourse Markers: 6.36363636364 5.21951772744 122% => OK
Paragraphs: 32.0 4.97078651685 644% => Less paragraphs wanted.
Language errors: 30.0 7.80617977528 384% => Less language errors wanted.
Sentences with positive sentiment : 12.0 10.2758426966 117% => OK
Sentences with negative sentiment : 7.0 5.13820224719 136% => OK
Sentences with neutral sentiment: 3.0 4.83258426966 62% => OK
What are sentences with positive/Negative/neutral sentiment?
Coherence and Cohesion:
Essay topic to essay body coherence: 0.234364308954 0.243740707755 96% => OK
Sentence topic coherence: 0.0717041053271 0.0831039109588 86% => OK
Sentence topic coherence SD: 0.058196960313 0.0758088955206 77% => OK
Paragraph topic coherence: 0.055074611906 0.150359130593 37% => Maybe some paragraphs are off the topic.
Paragraph topic coherence SD: 0.0538785351552 0.0667264976115 81% => OK
Essay readability:
automated_readability_index: 16.4 14.1392134831 116% => OK
flesch_reading_ease: 39.67 48.8420337079 81% => OK
smog_index: 8.8 7.92365168539 111% => OK
flesch_kincaid_grade: 13.4 12.1743820225 110% => OK
coleman_liau_index: 15.32 12.1639044944 126% => OK
dale_chall_readability_score: 9.51 8.38706741573 113% => OK
difficult_words: 153.0 100.480337079 152% => OK
linsear_write_formula: 11.0 11.8971910112 92% => OK
gunning_fog: 11.2 11.2143820225 100% => OK
text_standard: 11.0 11.7820224719 93% => OK
What are above readability scores?
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Maximum six paragraphs wanted.
Rates: 66.67 out of 100
Scores by essay e-grader: 4.0 Out of 6
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Note: the e-grader does NOT examine the meaning of words and ideas. VIP users will receive further evaluations by advanced module of e-grader and human graders.